Introducing Proxima Vara, a new variable font by Mark Simonson

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Proxima Nova goes variable!
Change width, slant, and weight to get any style you can imagine.

Try it today!

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Advantages of Proxima Vara

Have you ever wished for something a little bit bolder than Proxima Nova Regular but not quite as bold as Proxima Nova Medium? How about something not quite as condensed as Condensed?

Proxima Vara lets you choose any weight, width, or slant as easily as you can select a font size, not just predetermined styles like Bold, Extra Condensed, and Italic.

Having trouble getting a headline to fit? You can adjust the width of Proxima Vara as much as you like, and without distortion.

In fact, Proxima Vara has 5,000,000 possible styles, ranging from Thin Extra Condensed to Black Italic, giving you precise control over typographic color.

Yet, all these styles fit into a single font file, smaller than a few styles of Proxima Nova.

For web designers, this means you can use as many styles as you like without breaking your bandwidth budget.

Proxima Vara is Proxima Nova: The Next Generation!

Licensing and purchasing info...

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The Proxima Vara Story

By Mark Simonson

PROXIMA VARA is the variable version of Proxima Nova. It’s a typeface idea I’ve been working on in various forms since 1981. It was no more than rough sketches back then, but the concept for the lowercase was quite similar to how it eventually turned out. ♦ In 1991, I was art director at a magazine where I was using Gill Sans. I liked it, but wished for something a bit plainer and more modern that still had a geometric feel. Such a face did not seem to exist. Starting from my 1981 idea, I began working on a new typeface to fill this need. ▶ I wanted the general proportions and stroke contrast of Helvetica or Akzidenz Grotesk, but with construction and details borrowed variously from Futura, Kabel, the ATF gothics (Copperplate Gothic, News Gothic, Franklin Gothic, etc.) and the U.S. Federal Highway signage typeface. ♦ The result was a hybrid; a face combining modern, even-width proportions with a somewhat geometric appearance. ★ I released it in 1994 as Proxima Sans, with three weights—Regular, Medium, and Black and matching italics. ● I had plans to do more weights, small caps, a condensed version, and other ideas. But between lackluster sales, becoming a new parent, and taking on a new full-time job, I found I didn’t have the time or energy to continue working on it for a while. ▶ In the early 2000s, I started to get requests to expand the Proxima Sans family and Rolling Stone magazine chose it as part of its redesign in 2002. Encouraged by all this, I resumed work on it. ♦ In 2005, I re-released it as Proxima Nova, a family of 42 fonts—seven weights and three widths with matching italics. Built from the start with OpenType in mind, it featured advanced typographic features like small caps, different figure styles, and alternate characters. ● Proxima Nova was a major upgrade over the original. I reviewed and refined every character and rebuilt everything from scratch. The character set grew from 245 to 699 characters. ▶ Since I first released Proxima Nova, I’ve continued to make improvements and enhancements, such as additional language support, including Vietnamese, Cyrillic and Greek (bringing the character count to 1432), and have added a new weight—Medium—for a total of 48 styles. ★ Proxima Vara continues this evolution, adding OpenType Font Variations (OTVar). This puts all the styles and features of Proxima Nova into a single font file. All the original styles exist as named styles which you can select from font menus. But in apps and web browsers that support variable fonts, you can select any arbitrary weight, width, or slant using sliders or specifying values, giving Proxima Vara 5,000,000 possible styles.

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